Tonight, attending Little Women: The Broadway Musical as produced by the venerable Albion H.S. Arts Department, I experienced a peculiar mixture of participation and nostalgia. I was in the audience (for the second consecutive night—I couldn’t stay away), but I felt invisible, like a ghost of high school musicals past. I looked around for other “ghosts” but saw surprisingly few. Rather than wondering whether they shared my sentiments, I focused on my own thoughts—of how I used to perform on that stage, of how I enjoyed the twitter of the audience and the rash of camera flashes when I entered stage left, of how I longed to perform again, except…
Except for the passage of time. What made this viewing experience even eerier than previous ones (I’ve been back for others) was the content of this particular show. Little Women looks back on the life of the March family, Civil War-era New Englanders with four daughters, all coming of age while their father is off to war as an Army chaplain for the North. The lead character is Jo, a spunky, aspiring writer who loves her home almost as much as life itself but finds she can’t hold onto it. She wishes she could live and relive and relive her growing-up years with her three beloved sisters, making up plays in the attic and skating on the nearby pond. But she can’t. Just like I can’t hold onto the precious parts of my life that I’d like to.
I try, though, I try. I take photographs and go to great lengths to preserve them. I save tickets and theater programs and my children’s artwork, spelling tests and book reports. I save so much email that my network administrator issues frequent warnings: “Your inbox is almost full. Delete some of your old mail or you will no longer be able to send or receive messages.” I obligingly “trash” a few non-personal messages and carry on with my life-clutching habits until a similar warning appears two weeks later and I repeat the process.
In these days of digital media, with DVDs and TiVo and YouTube, we can replay many moments. But not really. Not the flesh-and-blood experiences of being there—feeling the warmth of the spotlight, squinting hard in its glare, and a few moments later, our eyes adjusted, seeing the stream of dust floating and sparkling serenely while we raised a ruckus in its wake… We can replay those moments on machines but not relive them from the same perspective—never again.
Watching Little Women, feeling like an invisible presence in the auditorium I once-upon-a-time commanded, I realized: You can’t hoard life. It marches on, and quickly. “Time, like an ever-rolling stream,” goes the old hymn, “bears all its sons away, they fly forgotten as a dream dies at the opening day” (or opening night of the next show). Yes, my ditzy, dazzling rendition of Ado Annie in Oklahoma! is long forgotten.
So here I am, a modern-day Jo March, writing like a maniac trying to make sense of it all, trying to live with passion and not give up, but being forced to surrender each moment as it comes and goes. Clutching, clinging, longingly looking back…
But the curtain has closed on that part of my life, and “the show must go on.” I am graciously granted another performance. May I gratefully embrace each new day, each new act, each new song, as authored and directed by God Himself, the greatest of all playwrights.
“Here dies another day
During which I have had eyes, ears, hands
And the great world round me;
And with tomorrow begins another.
Why am I allowed two?”
—G.K. Chesterton